This project started off as 5 songs (3 melodic, 2 spoken word) I was going to give to this girl in November '10...I think because I thought we would probably still be together then and I wanted to take my time for the project.
We stopped seeing each other (technically) mid to early September, so I didn't feel it was right to finish those songs. However, I kept writing them because of how much hurt I was in after the breakup. Three songs from the original 5 song EP did make it on disintegration music though as the original demo recordings I did for them, which are the 2 spoken words on the album, along with "I Still Love You (Long Conversation)", which at that time had a different title. The funny thing about that song is I wrote it while things were going "good" between her and I, but I still felt like a burden on her because of how much I liked her and how much she would some times like me and then reject me, often within the same day.
I wanted this record to be real, and feel real. I recorded this using the latest Logic Express program, that has some absolutely amazing tools on it--in particular to fix a crappy and off pitch voice. Which, more often than not, mine tends to be if I don't practice a song for a good two months or so before actually recording it. The only song I did use pitch correction/auto-tune was "It's Like You Forget It All", not because my voice sounded partically bad on that, but because that was the bad I was going for. A Kanye West 808s and Heartbreaks vibe.
When I was recording vocals for the debut The Kaleidoscope, Brighter EP, I told our producer, Justin Price, that I had written a fantastic acoustic song that past Monday (it was Sunday) and if we could record it. Hesitant, he said yes. So I laid down the acoustic guitar, and then went to lay down vocals. But I couldn't do it. I sounded horrible. I was totally unable to learn my own song in a weeks time. Ricky though, who has been singing since elementary school, learned the song right there on the spot and I swear sang it pitch perfect and to this day I love the way he sang it and that song is still one of my favorite songs I have written.
I say all that as a personal testament to tell you that I know I don't have a good voice. It takes me a while to learn songs to sing them to a listenable quality. Some of the last songs on the record, "Paul Newman Pt1" and "Robert Redford Pt2" I had a week to learn and sing. Vocally, I loathe how they turned out, but I needed to say some things that the first ten songs of the record didn't say. Those last three songs are sort of like an addition. Originally, it was just going to be those first ten songs on the record. But then things not exponentially worse between her and I, I felt like I would be lying if I put this out and it ended on a happy/hopeful note.
It was a very tedious process for me when it came to writing lyrics about an actual event. Generally, what I do when I write a song, is I write the music first, and then write lyrics based around how the music moves. Sometimes the songs end up being about someone, but it is never a conscious effort to do. Like on the TKB ep that I sang and wrote on, none of those songs were actually written about people or situations I knew of. However, when I finished writing them, I realized that 2/4 were actually about people and circumstances I knew of. But for this, I had to make a conscious effort to write about a specific person, and a specific situation. These are extremely straight forward lyrics...at least for myself, and the person I wrote them about. To everyone else they still may seem poetic and sort of open to interpretation--which they most definitely still are, but to me they are much more frank than anything I've written previously.
Ending this project was almost a hurtful process. Sending her a link to the first blog, and a link to download the record, I am absolutely positive she is not even going to listen to it, let alone actually take the time to read the lyrics, or these blogs or even download it. And that really, really hurts...to know that, that is how much someone does not give a damn about you. You spending hours upon hours making a record based off of the situation that you were both in, but they won't even bother to listen to it. I think that's part of the reason I decided to release it to everyone else, so I didn't feel like I just spent so much time for absolutely no good reason because no one will ever actually listen to it all the way through.
I didn't write and record this record so that it would be someone's favorite album and they would love it enough to put it on repeat. My hope is that people can over look all the flaws on it, and listen to it just once as a story. As something real, as something that I am finally starting to conquer and work through.
Thank you so much for taking the time to read these blogs and downloading the record, and hopefully listening to it and experiencing it. Your support means the world to me. Honestly.
artwork by Crystal Wood
