Best Records of 2010

Best Records of 2010

(in no particular order)

About: In this blog, I have complied a list of my favorite records that have been released in 2010. Each title is followed by a review/quick thoughts on the record of sorts. Each band and album name have been linked to a song download, which is my favorite song off of the record. Not the whole record, just one song that I think speaks for the record the best. It's my hope that some of you check out an artist that you've never heard of and support some of this amazing music that has come to be in 2010--AND ASK FOR SOME FOR CHRISTMAS :-D

(note: the links had to be taken down because someone reported that i was 'breaking the law' with my downloads. this blog has now been taken down twice because someone said yet AGAIN that i have downloading links. USE YOUR EYES. THE DOWNLOADING LINKS ARE GONE STILL TAKING MY BLOG OFFLINE.)

Jonsi: Go

Genre: Baroque Pop/Ambient/Post-Rock

This is a late edition to this blog, but if I JUST found out about this record/artist a week ago. And if I had to pick a top 2010 record, this would have been it. I can not say enough about the beauty and just general greatness of Jonsi's "Go". If I would've known about it two weeks ago, it EASILY would've been my favorite album of 2010. Easily.

Circa Survive: Blue Sky Noise

Genre: Rock/Progressive/Ambient

When I hear that one of my favorite bands is getting sign to a major label, I always hold my breath in hopes that they don't totally destroy them (see: Anberlin, The Juliana Theory, Saosin, and The Ataris major label debut. With a sigh of relief, I can tell you that this is still the Circa Survive we have all grown to love. Anthony Green's voice sounds as strong and unique as ever, and with a major label comes some GREAT mixing of it. I feel like Green has always sounded pretty amazing, but there is a clarity to the mix of this record that their prior releases did not even come close to. This is might a perfect record though, mind you. Upon first listen I felt that the complex guitar parts that created such a different feel in their first two records aren't really hear with this one. As I started to read interviews about Blue Sky Noise, I found that what I thought was exactly true. Both guitarists went out of their way to make simpler parts to fit the new audience that they would be coming in contact to with their new found major label exposure. Regardless though, the guitars sound sound as good as ever, in particular on "Get Out", "Frozen Creek", and "The Longest Mile". Overall though, Blue Sky Noise is sure to please old Circa fans, as well as usher in a brand new line to be sucked in by Green's voice, and Crica's still uncommon (yet slightly watered down) musical structures.

S. Carey: All We Grow

Genre: Ambient/Chamber Pop/Indie Folk

Sean Carey is and was part of Justin Vernon's band Bon Iver. Enough said? Enough said. S. Carey's debut solo record All We Grow is easily in my top three favorite records of the year. I currently have a little over twenty-two days of music on my iTUNES. I listen to a lot of music. And this is (also) one of the most beautiful records I have ever had the pleasure of hearing. Ever. I feel like I could write a ten page essay review on this record, and that one paragraph is not nearly going to do All We Grow justice. But I'm going to have to try. This record is gentle. This is a record that is in love with itself, not in a conceded way, it just is. This record is in love. From the absolutely phenomenal instrumentation, to S. Carey's voice that practically is singing in the tone of a lullaby, it is just beautiful. I would go as far to say that I like this record far more than I have liked either of the Bon Iver releases. That--is how much I dig this album. The mix is crystal clear, and yet is extremely textured, in particularly with the multiple vocal parts that tend to go on at any given time during a song. I am going to stop here, but it is safe to say that you should stop by iTUNES and pick up this album, put on a pair of headphones, wait for a rainy day, and fall in love with life and music all over again.

Isles and Glaciers: The Hearts of Lonely People

Genre: Post-Hardcore/Post-Rock

Normally, I'm not a fan of super groups. At all. But this year there were two bands that are super groups that put out absolutely amazing records. The first, being Gayngs, and the second being Isles and Glaciers. And you can tell that IAG packs quite a punch, with some amazing post-hardcore/whatever-core musicians contributing to it. Namely: Craig Owens, Jonny Craig, and Vic Fuentes. 3 super unique voices singing on the same tracks = huge win. A lot of programming = huge win. This record is GREAT to listen to in the headphones, especially for this sort of record. There is a lot going on at one time, a large part of which is the amazing programming parts on the album. Although, I don't listen to a lot of Vic's actual band stuff, I do listen to basically anything Owens and Craig is on, and I have to say that this is easily the best vocal performance I've ever heard from both of them. The lyrics reach near perfection too...again, probably has to do with 3 amazing song writers writing on the same songs. Not too mention, this record was about a year on the self before it was released, which I'm sure made a lot of time for perfection to occur on it. All I can really say about this record is if you are a fan of any of the 3 voices, or just generally super, SUPER good, catchy, and slightly emotional post-hardcore, you will not be disappointed in the least by Isles and Glaciers debut record.

Stars: The Five Ghosts

Genre: Indie Pop/Rock

First, let it be known that Stars is a way underrated band. Let it be known that Stars are really, really good. On their latest record, they only get better. Compared to their last album, that I was a huge fan of, this one dabbles a bit more in the electronic side on some songs. Which takes a little getting used to, especially if you usually don't like that kind of music, but once I got over that fact, The Five Ghosts is a super solid indie pop record. Both of their voices sound just as good as their prior releases, with the male singer doing his "sing/whisper" thing and the girl with her...er, girly? Voice? Which is not a bad thing by ANY means, just pointing out that they chose to almost play it safe in that they switched up some of their music, but kept their vocal style pretty similar to their other stuff. Some of the record is really good for a cold winter day, while other parts are really good for a beautiful summer day. They use really great synth textures on some of their songs, which further drives home wether a song is for a winter or summer day.

The Graduate: Only Every Time

Genre: Indie Rock/Ambient

It took The Graduate almost over three years to come out with this record. After the label they were on kicked the can, they seemed to be totally in limbo, and all of their fans waited with held breath to see if they were going to stick it out or call it quits. Sure as your born, they stuck it out...and I am SO glad they did. This band truly has a unique sound, to the point where I can't really compare them accurately to any other band I know of. Their singer, Corey, has an amazing voice, and their guitar parts and tones and consistently candy to my ears. Their delay/ambient filled up-tempo rock songs are just so good. That's really all I can rightly say about them, because I am trying super hard to not underplay exactly how good these guys actually are...THAT'S how good they are. This is one of the few records I stayed up until midnight to grab off of iTUNES. I was too impatient to pre-order a copy and wait for it in the mail, or have it shipped to the local record store. I needed it in my hands the fastest way I knew how. The lyrics seem to revolve around Corey's relationship with his wife, which he had to constantly leave during the extremely long and strenuous writing process for this record--which, to me, is super awesome. This lyrics seem THAT much more genuine because of that...that this dude REALLY loves his lady is super awesome. As I already said, the guitar parts, along with the drum and keyboard (the bass seems to be sort of buried in the mix) are simply spot on and always super, SUPER tasteful. I could listen to their guitar tones and their guitar parts for seriously hours on end. Overall, if you like super refreshing, very listener-friendly rock and roll (yet very unique), this record is for you.

Jimmy Eat World: Invented

Genre: Alt Rock/Early Emo

Let me start off by being honest with you: I wasn't a huge advocate of JEW's last record Chase This Light. I thought it was good...but not amazing. I still can't put my finger on it, but there was something that simply didn't do it for me. Invented though, is a whole 'nother story. Invented is super great. There's not enough I can say about this record, other than saying it's simply a great, GREAT rock/early emo record. Jim's voice sounds as great as ever, and I would venture at say it's improved? Or maybe if it's not improved, there's a few songs where I feel like he switches up his singing style from previous releases- which to me, is refreshing (see: "Heart is Hard to Find", "Higher Devotion"). Although I have to say, I'm not at all a fan of the song "High Devotion", for some reason it just annoys me. I AM however, a huge fan of the production on this record. It just has this super bright/sunny sound to it. Also, I like that they continue to feature a girls voice on the record at times. It gives a really good contrast to Jim's voice.

Oceana: Clean Head [EP]

Genre: Post-Rock/Indie

Before the release of this EP, I had heard of this band in a few music circles I travel in, and I wrote them off as an "Rise Records" generic hardcore band. A week in October my friend was telling me that I should go to one of their shows, and I told him I don't think I would like them very much. Man, was I wrong. He explained to me how they totally changed their sound--and he was totally right. What started off as a hardcore band, now had totally transformed into a really sweet post-rock indie band (As Cities Burn anyone?). This EP is really, really, really good. I hold a huge soft spot in my heart for the singers voice, as it reminds me of my favorite singer Matthew Good, combined with the lead singer of As Cities Burn. The guitar and drum tones are really, really slick to. Not to mention, their drummer is super, super spot on--and even better live, if you can believe that. I hold two reservations about this record though: first, while the first track on the EP is pretty good, the rest of it blows that song out of the water. Secondly, the three songs after the first one sound like they are all 3 different parts of the same song. I almost finish they would've made them into one epic song...because they sound pretty similar, especially in the guitar progressions. Thankfully for them though, it's a really, really refreshing sounding progression so it works more or less 3 times over. If you were at all a fan of As Cities Burn's last record, you have no option but to pick this up and love it. Because it is awesome and practically like the step-child of that record.

Lazerbeak: Legend Recognize Legend

Genre: Indie/Alt/Hip-Hop

This is easily one of the freshest records of the year for me. When I was trying to figure out what to put as "genre", I honestly had no clue what I should write. Because honestly, Lazerbeak is all over the place. There's not really any rapping persae, but there are a lot of...hiphop beats? For those who don't know (or care to know?), Lazerbeak is part of the Doomtree collective, a rap group out of The Twin Cities. Usually he can be found making beats for people like Sims, Dessa, P.O.S., and all the like--I read somewhere that he has produced and recorded over 400 unique/different songs/beats? Wow. The guy is clearly a creative freight train. Anywho, this record is just that: super creative. His beats and lyrics are extremely different to the point of I can't really compare it to anything...it's all just super fresh sounding to me. The only reservation I have about Lazerbeak is his voice reminds me of the guy from Smash Mouth. If I don't think about that though, this is a really colorful and refreshing record for those who have an open mind to new sounds.

The Album Leaf: A Chorus of Storytellers

Genre: Instrumental/Ambient/Indie

I would like start this review by thanking my friend Eric MacDonald for introducing me to this band. I seriously do not know what I would listen to some times if I did not have this band to serenade my ear drums with their fantastic instrumental songs. The only gripe I have about this record, is that there is still a little singing in it. And whoever sings, is just absolutely terrible. He does not have a good voice-at all, and it just serves to detract from whatever is going on in the song. Therefore, what I have done is deleted every song that he sings on from my iTUNES library, so I don't have to bother skipping them anymore. Other than that, this is the best instrumental record I have ever heard (which I suppose isn't that many?). It creates a very, very emotional vibe with these "I'm going to cry if I hear those chords played again" chords. But I think that's amazing. For me, there are few greater feelings than that of being truly moved by music. From start to finish, aside from the songs where the dude sings on, I feel moved. I feel inspired and have this like feeling of "Everything is going to be okay" or "It's okay to fall in love, it's a beautiful thing". I know that sounds uber cheesy, but that's simply the best way I can describe this record (which might mean I'm just not very good at describing things)?

The Chariot: Long Live

Genre: Mathcore/Metalcore

The Chariot eats your favorite metal band during tea time, and then ravages any idea you had of what this latest record was going to be for dinner. This is easily one of the most furious metal records I have ever heard...that I'm pretty sure has ever come into being of recent? Long Live makes bands like Underoath, The Devil Wears Prada, even some of Norma Jean, look like they are toothless little puppy dogs. Lead singer Josh Scogin's screams are simply unbelievable, and are getting better, to the point of now you don't always have to look at his lyrics to understand what he's say. The album rips into you with "Evan Perks", and doesn't let you go until the ending chaos of "The King". This band, and this record, are very much that of the acquired taste. Because...it's all just so chaotic. Next to no structure can be found in the music, lyrics, anything. It's sort of like "Melody? What the hell is a melody?". The song "The City" though, does feature a super cool melodic moment, which gives me goosebumps very time I hear it. I think the most fantastic thing about this band and Long Live is that for as chaotic as this record sounds, the band is very much on the same page--all the music sounds very cohesively chaotic. Which is super impressive for the several different parts that are found in each song.

Kanye West: My Beautiful Dark Twisted Fantasy

Genre: Hip-Hop

Say what you want about Kanye West's personality, but West has officially transcended main stream hip-hop as the world knows it. My Beautiful Dark Twisted Fantasy is an absolutely phenomenal record as far as main stream hip-hop is concerned. Musically, West both produces and uses some of absolute best and freshest beats I have ever heard, which totally serves to set himself apart from other main stream hip-hop artists who think they're "the best". I don't even know how someone can begin to form that thought process after this record. I honestly don't. Lyrically, West is once again on his "A" game. Although I think one of the biggest downfalls of this record is the people he features. In particular, Pusha T. on "Runaway". I think "Runaway" is an amazing song, right up until Pusha drops a verse that almost sounds like he has absolutely nooo idea the message Kanye is trying to convey with the song--it's like he raps the TOTAL opposite of what Kanye is saying. Unlike a lot of people, I thought 808's and Heartbreak's an almost perfect album, and so I think this is a phenomenal progression. At times, I feel like Kanye is struggling with being honest about how he feels, but then realizes that he has to keep up his "street cred" so he reverts from time-to-time sounding like just another hip-hop artist (but that's like...less than 5% of the record). Honestly though, I can not give enough praise for how good this record is. If you like hip-hop, and can put the fact that Kanye--like MANY other famous people (as we seem to forget)--has a big ego, you NEED to get this record. Oh, and I think it is AWESOME that Bon Iver is featured on not one, but TWO songs "Monster" and "Lost in the World". Sooo happy for that dude, and mad props for Kanye to finding out about him too. Soooooo awesome. On a last note, I think any time Jay-Z is featured on a Kanye song, he TOTALLY also detracts from it--I think West is a faaar better rapper than Jay, and Jay's style just does NOT fit on these amazing songs.

Spring Offensive: The First of Many Dreams About Monsters [EP]

Genre: Indie/Rock/Alt

One 13 minute song can be considered an EP, right? Regardless, I found this band on an AbsolutePunk.Net Free Music Friday, where they had this song/EP listed as a free download, and it's just awesome. Spring Offensive find themselves very much in the vein of late Anathallo, with a bit more fire and passion. Oh, and you can understand the singers voice a lot better than Anathallo, which is a huge plus. This is a 3 (or 4 or 5?) part song, sown together by little sound clips in between which part. I love the lyrics a lot, because they are super poetic and just are overall really well written. I think my favorites parts of this song/EP are the first and last sections. Some very, very original stuff to come out of the UK. I can't wait to see and hear what these dudes do next.

Underoath: ø (Disambiuation)

Genre: Metalcore/Ambient

First thing first--Underoath is rarely ever the same band twice. Each of their records are a complete evolution and departure from the prior one (Brand New, 1997, among others, are bands that do that as well). If you would would put ø next to Lost in the Sound of Separation, there are times when you can't even tell it's the same band. And to address the elephant in the room: yes Aaron is gone, and he will be missed, but he is NOT missing from their new record. Between Spencer's surprisingly good singing, and Daniel Davison's in the pocket drumming, the singing and drumming of Aaron is but a fond yet distant memory. This is definitely the darkest record they have done, both lyrically and musically. Musically they seem to have started to implore more and more auxiliary percussion, which is super cool. The only reservation I have about this record, as I have had since Spencer started picking up the pen on Define the Great Line, is that it just seems (at points) lyrically weak, and recycled phrases from within this record and drawing from past albums too. I find that Spencer's strongest lyrics can be found in the slower songs on the record "Paper Lungs", and "Driftwood". Davison's drumming is spot on, as different as it is from Aaron's, it is much less complex, but it feels much more "in the pocket", and tries to flow with the song as opposed to being a highlight of it. This is turn draws much more attention to the guitar parts, but mainly to Spencer's vocals. ø succedes in evolving Underoath, and further setting them apart from their "peers". On another note, I think this record display's Chris (keyboardist) at his very best with his keyboard and programming parts.

Gayngs: Relayted

Genre: Indie Soft Rock

As much as I bash the 1980's for all the awful trends and music it produced, I can never help but be attracted to contemporary music that is reminiscent of the 80's, such as M83's record "Saturdays = Youth", and Gayngs debut record titled "Relayted". A 23 person indie music super group consisting of people such as Justin Vernon (Bon Iver), P.O.S., Michael Lewis (Andrew Bird), Dessa (Doomtree), along with 19 others I'm not hipster enough to know of. To put this record simply: it is a true tour de force of what music can be. I can not say enough how much I dig all the different people singing on this album. I think that is one major factor that keeps the whole listening experience totally fresh song after song after song, not to mention the really slick transitions the songs make from track to track. While I would consider this not a necessary "fat" mix, I feel the mix of the record lends itself to make it feel like it has a lot of depth, and the crazy amount of layering of voices is a great addition to this. Another aspect I totally love about this record is the undeniable texture it has to it. To me, it sounds much more like this was record on tape, as opposed to digital- which (I think) is absolutely great. While this is a polished record, there is just this...aesthetic to it that continues through out the entire listen. I think this can be found the most from the totally 80's guitar and drum tones that they use, along with the keyboard sounds. "Relayted" is everything that is good from the 80's put into one album, and is honestly one of the most original records I have heard in a very long time.

Lydia: Assailants

Genre: Indie/Ambient/Rock

Every year I feel like I come to write a review of a record, and utterly fail in even trying to be unbiased towards the release...because the band can simply do no wrong by me. Last year it was with Brand New's Daisy, and this year it is Lydia's latest and last record Assailants. After Mindy White quit the band, I was pretty bummed, because I loved the contrast between her and Leighton's voice. However, apparently Leighton can sing super high, because Mindy is hardly missed on this record. Lyrically those album very much sounds like a swan song...a lot of lines alluding to the end of the band, which was shortly announced before the release of this album. So that sort of makes sense. Mat Malpass's production is spot on with the bands sound, I can't tell you how happy I was they chose to work with him again (he recorded Illuminate too). Lyrically I feel like this is a bit weaker than their prior works, maybe that's because of such a strong lyrical feel trying to make a point to the listen of "Hey this is our last record, thanks so much for listen to us" sort of feel. Other than that, the ambient guitars, and Leighton's indescribable voice tie this record together to make it yet again another memorable Lydia experience.

PS yes i know this is a lot music that i think is "the best of 2010" but i totally stand by all of it. there was no possible way i could've narrowed that down to ten records. sooo much amazing music came out this year--NOT TO MENTION, i have actually BOUGHT 13/14 of these records. so thanks to The Gap for a nice job to give me the funds to actually support my favorite artists :-D and to be honest, it'll be years digging into some of these albums and to soak in the entire art. because that's how i love music to be. soo much to take away from it all.